JAMES YEHA BROWN
▒ 14–05–1980
TERNDANYA, KAURNA COUNTRY
ADELAIDE, AUSTRALIA
©©©©_BIOGRAPHY
Proto-Romanticist, Jean-Jacques Rousseau, asserted that social existence has the power to corrupt and steer us away from authenticity. James’ natural passion for visual communication coupled with his uniquely humorous anti-establishment outlook, has charged the last 20 years of his place in the design and art world.
Just as lands of ice become liquid oceans, Brown’s art occupies a liminal space between art and design. He seeks to portray the magic of a lost world via his tools of communication, to enter into a dynamic exchange. Prolific, alluring and provocative. By means of applying three complementary elements; visual art, design and “art-chitecture”. James’ work transcends mainstream genres. Constantly evolving and re-inventive, driven by re-imagining societal norms.
©©©©_dd/mm/yyyy
[2025]
SAINT CLOCHE
PROMISES LAND (SOLO)
SYDNEY, AUSTRALIA
[2024]
STAFF ONLY
528HZ – 963HZ (SOLO)
ADELAIDE, KAURNA COUNTRY
SAINT CLOCHE
IMMORTAL (GROUP)
SYDNEY, AUSTRALIA
[2023]
SODA OBJECTS
ADELAIDE, KAURNA COUNTRY
[2022]
WHO LET THE FLIES IN
GOOD BANK GALLERY
MCLAREN VALE, KAURNA COUNTRY
NUTRITIONAL INDEX
BY EMMALINE ZANELLI & KURT BOSECKE
AGSA ART GALLERY OF SOUTH AUSTRALIA
ADELAIDE, KAURNA COUNTRY
STRANGE DAYS EXHIBITION YEOHAUS
PORT ELLIOT, RAMINDJERI COUNTRY
BAIT FRIDGE
THE LAB
ADELAIDE, KAURNA COUNTRY
[2021]
SEMI PERMANENT:
KEYNOTE SPEAKER
WELLINGTON, NEW ZEALAND
UNISA:
BACHELOR CONTEMPORARY ART
ADELAIDE, AUSTRALIA
[2020]
HURU-HARA:
ASIA TOPA, ABBOTSFORD CONVENT
MELBOURNE, AUSTRALIA
KINTSUGI SUPERMARKET:
ASIA TOPA, THE SUBSTATION
MELBOURNE, AUSTRALIA
[2019]
OLIVE PINK BROWN:
CO PRODUCER
KARRATERTA, KAURNA, AUSTRALIA
TDC:
KEYNOTE SPEAKER
BRISBANE, AUSTRALIA
[2018]
AGI MEXICO:
KEYNOTE SPEAKER
CONGRESS EXHIBITION
NATIONAL CONSERVATORY OF MUSIC
CDMX, MEXICO
[2017]
AGI FRANCE:
KEYNOTE SPEAKER
CONGRESS EXHIBITION
PALAIS DE TOKYO
PARIS, FRANCE
SPINIFEX GUM:
SUB CREATIVE DIRECTOR
CAIRNS, AUSTRALIA
[2016]
GOURMET TRAVELLER MAGAZINE:
TOP 50 MOST INFLUENTIAL PEOPLE
[2016]
SEMI PERMANENT:
KEYNOTE SPEAKER
SYDNEY, AUSTRALIA
[2015]
SEMI PERMANENT:
KEYNOTE SPEAKER
AUCKLAND, NEW ZEALAND
AGIDEAS:
KEYNOTE SPEAKER
MELBOURNE, AUSTRALIA
LOLA'S PERGOLA:
ART DIRECTION
ADELAIDE FESTIVAL OF ARTS
ADELAIDE, AUSTRALIA
[2014]
BARRIØ:
ART DIRECTION
ADELAIDE FESTIVAL OF ARTS
ADELAIDE, AUSTRALIA
[2013]
AGI BRASIL:
KEYNOTE SPEAKER
CONGRESS EXHIBITION
MUSEU DA LINGUA PORTUGUESA,
SAO PAULO, BRASIL
BAUCAU ARTS FESTIVAL:
ART DIRECTION
BAUCAU, TIMOR LESTE
[2012]
AGI UNITED KINGDOM:
INDUCTED AS MEMBER AGI ALLIANCE
GRAPHIQUE INTERNATIONALE
THE BARBICAN
LONDON, UNITED KINGDOM
[2011]
SFMOMA:
DESIGN + WINE 1976 TO NOW
SAN FRANCISCO, UNITED STATES
[2006]
EYESAW:
SYDNEY FESTIVAL
SYDNEY, AUSTRALIA
[2002]
MASH:
CO-FOUNDED STUDIO MASH
ADELAIDE, AUSTRALIA
UNISA:
BACHELOR OF VISUAL COMMUNICATION
ADELAIDE, AUSTRALIA
© JAMES BROWN INTERVIEWS JAMES BROWN
(A CONVERSATION WITH HIMSELF)
I must admit, before meeting James, I had heard so many rumours and so much gossip that I was afraid. Frankly, his gambling debts, his animal magnetism, coupled with his disregard for the feelings of others… His elaborate gun collection, his mad shopping sprees, the facelifts, the ski trips, the drug busts and the hundreds of rooms in his home. The tax shelters, the public urination… I was nervous to meet the real man himself. Baggage and all. But I found him to be gentle, intelligent, open, bright, helpful, humorous, brave, audacious, loquacious, clean, and reverent. A Boy Scout, really (and a giant of a man). Join me now for a rare glimpse into the heart of James Brown. Remove your shoes and no smoking, please.
Q: What’s the most curious record in your collection?
A: In the seventies, a record company in LA issued a record called “The best of Marcel Marceau.” It had forty minutes of silence followed by applause and it sold really well. I like to put it on for company. It really bothers me, though, when people talk through it.
Q: What are some unusual things that have been left behind in a cloakroom?
A: Well, Winston Churchill was born in a ladies cloakroom and was one-sixteenth Iroquois.
Q: List some artists who have shaped your creative life.
A: Okay, here are a few that just come to me for now: Kerouac, Dylan, Bukowski, Rod Serling, Don Van Vliet, Cantinflas, James Brown, Harry Belafonte, Ma Rainey, Big Mama Thornton, Howlin’ Wolf, Lead Belly, Lord Buckley, Mabel Mercer, Lee Marvin, Thelonius Monk, John Ford, Fellini, Weegee, Jagger, Richards, Willie Dixion, John McCormick, Johnny Cash, Hank Williams, Frank Sinatra, Louis Armstrong, Robert Johnson, Hoagy Carmichael, Eurico Caruso.
Q: List some songs that were beacons for you.
A: Again, for now… but if you ask me tomorrow the list would change, of course. Gershwin’s second prelude, “Pathatique Sonata”, “El Paso”, “You’ve Really Got Me”, “Soldier Boy”, “Lean Back”, “Night Train”, “Come In My Kitchen”, “Sad Eyed Lady”, “Rite of Spring”, “Ode to Billy Joe”, “Louie Louie”, “Just a Fool”, “Prisoner of Love”, “Wang Dang Doodle (all night long)”, “Ringo”, “Ball and Chain”, “Deportee”, “Strange Fruit”, “Sophisticated Lady”, “Georgia On My Mind”, “Can’t Stop Loving You”, “Just Like A Woman”, “So Lonesome I Could Cry”, “Who’ll Stop The Rain?“, “Moon River”, “Autumn Leaves”, “Danny Boy”, “Dirty Ol’ Town”, “Waltzing Matilda”, “Train Keeps a Rollin”, “Boris the Spider”, “You’ve Really Got a Hold On Me”, “Red Right Hand”, “All Shook Up”, “Cause of It All”, “Shenandoah”, “China Pig”, “Summertime”.
Q: What’s heaven for you?
A: Me and my wife on Rte. 66 with a pot of coffee, a cheap guitar, a pawnshop tape recorder in a Motel 6, and a car that runs good parked right by the door.
Q: What’s hard for you?
A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheetrock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.
Q: What’s wrong with the world?
A: We are buried beneath the weight of information, which is being confused with knowledge.